A lot of this thred isn’t worth subjecting yourself to…probaly because the first impression was taken wrong by everybody. That being said, the design aspect of the Boss board is pretty different from the norm.
As far as what came first…Yater Spoon, Harbour Cheater, all that stuff…the Spoon was a collaboration of Miki Dora with Yater. As the story goes, Greg Noll’s “Da Cat” came about as a result of Yater passing on doing business with Miki more formally…given Miki’s colorful past, no doubt a good decision. I think Harbour’s Cheater came about very close to the same time…that would be around '65 - '67…possibly even simultaneously if you buy into “The Hundreth Monkey” concept. Rick UFO’s were in the water when I was on my Spoon.
There was a lot of design/model energy raging in '64, ‘65, 66’ & '67…right up and into the ‘short board revolution’: Dru Harrison Improvisor, Barry Kanaiapuni Model, Blue Machine, Trestle Special, Hansen’s Models, Weber Performer and Harold Iggy’s stuff, on and on and on. We were at the height of longboard design, then WHAM! Big manufacturers were caught with their pants down as everyone was demanding shorter. My own personal progression had me going from 9’8" to 9’3" to 7’11" vee bottom to 7’4" Pocket Rocket to 5’6" stubby in pretty rapid fashion. Those were the days of Mike Purpus V bottom’s and the Jacobs “Streak”. Owl came out with the wide back V bottoms (I was yet to shape for Owl…those were coming from Tom Hale) and baby pintails. The mantra became “how short can YOU go”?!!
There is a whole host of East Coast stepdecks that were made during '65-'67, but being a west coaster i’d have to defer to Mike Daniels, Gary Propper, Bruce Valluzi, Flea Sharpe, Peter Pan, or Matt Keschle, or some other EC’er to fill in that gap.
Obviously the whole concept of the step deck was to allow for flex thereby straightening the rocker and increasing trim speed while on the nose versus the teardrop concave that trapped water thereby boosting resistance and creating lift. Step decks reduced “swing weight” while noseriding at faster speeds than closed teardrop concaves.
The teardrop concave was intentionally designed to slow the board down while clocking more time on the nose: which was the criteria that the Morey Pope Noseriding Contest was all about held at Ventura Fairgrounds (Stables) in (pretty sure) 1965. Wasn’t the winner on a Hobie designed Concave Noserider? The way the rules went, all boards had to be painted with Slipcheck in the front 25% of the board, and all kinds of approaches were present, including bricks glued sideways on the tailblocks to induce drag, winged fins, and even a board that had an extended stringer way past the tailblock that was supposed to qualify as part of the total length so the rider didn’t have to get so far up on the ‘real’ nose of the board.
Just going back to the pix of the Boss board, in all fairness, I give the guy props for trying stuff. Otherwise how do we learn? What if Simon and Brewer didn’t try sticking additional fins on a single fin, and so on. Yeah, the shape may upset the aesthetic sensibilities of some other shapers, but no one’s arm is being twisted to buy one.
If you want your sensiblities to truly be rocked, just go to the GSI sight and look at the Meyerhoffer design. Big waist cut and other features far from the norm. Funny enough you can also see some of that approach on the Morey soft boards he is promoting. There is defintely some snow ski waist cut influence going on in the outlines of both of them.
Nothing ventured, nothing gained.