HAWAIIAN KOA BENT-SHAFT SUP PADDLE

I was recently approached by a local Hawaiian paddler to make a special paddle for standup. As a long time standup paddler he has used carbon fiber paddles as well as several various wood versions over past years, including straight and double bent shafts with blades at various angles to the shaft. He wanted a “best of all worlds” paddle, something Hawaiian with “soul”.

At first I wasn’t sure if all he requested could be done. The parameters were:

  1. Crafted exclusively of solid Hawaiian koa wood
  2. A 14 degree blade to shaft with a bend-back handle (double bend shaft)
  3. No scarf joints in the shaft – continuous wood-grained shaft.
  4. Lightweight
  5. Flex
  6. Strength
  7. No fiberglass or carbon fiber – nothing commercial or high-tech.
  8. Functional in all water environments
  9. Beautiful enough to hang in his home as art

One of the fundamental laws of woodworking is to always “design around construction” instead of constructing around design, which is to say the piece must have structural integrity first, and the design must fit within. Having seen several broken wood paddles, I needed to achieve superior strength using solid hardwood, with weight being the enemy. True acacia koa wood grows naturally nowhere else in the world than Hawaii. As one of the most beautiful woods in the world, it is also one of the most expensive in the world. Since the 70s I’ve seen the price for koa wood rise from less than $1.50 bf to over $200 per bd. ft. for a recent exceptional board. I have a deep respect for koa and use it very sparingly and with much reverence.

My answer was to use bent-form laminations in the paddle shaft. About 25 years ago I began making the rockers for my chairs this way. You don’t have to steam-bend (which can affect the color f the wood), the grain of the wood stays virtually intact, and the “glue-lam” is infinitely stronger than cutting the rocker from a solid board. I ripped consecutive 3/16-” thick slices from a piece of 8/4 koa. Kept in sequential order, they were then glued and clamped in a custom-made form to attain the desired curves in the shaft. The laminations were cut quarter-sawn to achieve the most strength.

With nine coats of gloss marine varnish, each coat fully cured and sanded (a two week process), followed by polishing compound, and waxed, the instrument grade koa wood is very beautiful. Historically, Hawaiians preferred “ginger koa” or “banana koa” for their paddles, as the honey colored koa was lighter and less dense than the md. brown and reddish darker koa preferred for canoes. The carved tip on the blade is something I put on all my wall-hanger Hawaiian outrigger paddles, which was done historically as a protection for the delicate leading end of the blade. I was told by one Hawaiian - that this tip was also modified and sometimes used as a weapon and for hunting along the coast. Not as light as basswood, poplar, or even ash, it weighs 38 ounces and is exceptionally strong considering no fiber glass or epoxy. I took it out for test runs each morning this week and it checked out.

Fortunately, one of the parameters was not to make an economical paddle. There was quite a bit of labor involved, far more than a straight-shaft traditional outrigger paddle. I already have a few orders, but even at a very high price they are not profitable and not for everyone. However, they do represent all that is Hawaii, steeped in tradition, and soulfully fun to use. Anyway, just thought I’d share for those interested in experimenting with this method of construction.

Richard McCormick



Wow Richard that is quite a feat!

Parameters can make things very challenging.

I do not know much about Koa.

What did the ancient Hawaiians do to get the angles? Did they find bent branches

of wood, or did they build the bends as you have?

Just curious.

Thanks,

George

beautiful, nice! it got me stoked

Richard,

Very nice paddle! Did you shape each strip of koa one at a time as you glued them together or did you glue them all together and then bend the shaft before the glue dried? (does that make sense?) Was each blade half a solid piece of koa?

mokulele

Aloha mokulele,

The strips are applied with glue then clamped together in a form. After 24 hours in the clamps the shaft is lifted from the form and the bookmatched koa blades are glued and clamped on the shaft. Finally, the entire paddle is shaped with rasps, carving gouges, spokeshave, sandpaper, etc.

The bend toward the upper end of the shaft allows the handle to be closer to the body once the blade enters the water which provides the ability to push the paddle handle forward while pulling the lower blade end.



beautiful!

Aloha Mr. Richard Mc-San –

Thanks for showing us another one of a kind McCormick piece. I’m sure that paddle will live on for a few lifetimes. 

Soul / Art / Function you’ve got a real gift.

I could easlily see that paddle being handed down from generation to generation growing in mana. Beautiful!

Richard,

Thanks for the explanation and the pictures. The first picture really answers my questions.

mokulele

friggin’ awesome, man!..you never cease to amaze me.

i’m gonna go get started on mine…

so clearly bitchin I am humbled once again

after digesting this I wiilll surely morph my concept…

…ambrose…

Aloha RichardMc:

I have to say this paddle is one of the nicest things I have seen in a long time, really brought joy to my eyes to look at that beauty.

Now you have got me thinking I might have to make one of these to go with the hollow balsa standup paddle board that I’m planning to build. The two would go together perfectly. Actually maybe I need to make one to use on my one man canoe, hmm!

Any ideas for good sources for koa as I would also like to get some to build a guitar?

Mahalo for sharing this with everyone, really outstanding work.

-Robin

Aloha hand-shaper,

About a year ago I got some nice koa from a guy on the other side of the island from you over in Hanapepe. I can’t find his info (lost in my move?), but I’m sure anyone over there knows of him. I had a contact on the big island recently, but he quit working up at the mill there. Seems finding good sources for koa is a hit and miss deal sometimes. I try to buy only wood from those who share my thoughts about koa - only mill downed or dead trees, managed milling operations to ensure no damage to the forest area, those who involve in reforestation, etc. - usually small operators who care and understand.

I have a pretty good personal stash on hand now, but will be going over to the big island later this week to talk to a mill. I’m considering finding a source to be able to inventory a small amount to be able to sell small (one or two boards at a time) quantities to those interested. I was told this morning by a friend in Hilo that Greg Noll is over there this weeklooking around for koa.

richard mccormick