Aloha Greg and Danny
What would you guys call this kind of Vee that was popular on early short boards in the late 60s?
I always thought that the spiral vee was a vee that got deeper as it exited out the tail which, especially on pintails, required the rail rocker curve, to hook back up to the stringer rocker at the tails tip, creating sort of a spiraling rail line as it did so, like above. Hence, the name Spiral Vee. Danny, is this the kind of vee that Catri was doing that you mentioned?
I can’t attest to who came up with the name or when. This is odd to me (and I may be dead wrong) because popular opinion now seems to equate the spiral vee with flatter tails rather than tails that look like my drawing above that seem to have a spiral to the rail rocker curve. Greg, do you have any idea what the word “spiral” would have technically to do with what might be more commonly called now “reverse vees”. Seems a spiral vee is more descriptive of the above drawing then a reverse vee is.
Flatter veed tails seemed to replace that kind of bottom, and as such, spiral vees and the language to describe them sort of evaporated back into that void were all such things reside till they burst forth again and are recycled in another era.
As to the ownership of designs. As I said before, I make no claims of ownership or origination and have no clue as to where it all really began. Many have walked these paths long before me and there are few stones, if any, that are left unturned. Still it is nice if history gets it as close as possible, to accurate, when possible. Sorting out the histories, shouldn’t be about ego, though realisticaly, there will always be that component in everything. It would be naive to expect otherwise. Should we not explore history then, for fear of it being self serving? History is just what it is, stored data, a record of events and how they came to be. Initially it is mostly in peoples minds and eventually in print. And YES, of course, there will always be slightly varying views of it. But we should never be afraid to share the histories we know and add them to that immense pool that makes up the historic whole. In fact, it may actually be more egotistical, to fear of what others may think of our comments. And that could prevent us from speaking up. This may truely be the greater crime.
I meant no harm to Maurice, and I bow down to his marketing skills for accomplishing what he did. But the reverse vee was neither his individual idea, nor did it become a standard because of him. It was commonly around long before his popularity. According to your story Greg, I guess the fact that the bottoms of Maurice’s production boards were near identical to mine, at the same time, was just an odd coincidence. Still, the more eccentric design that you describe as being created by accident seemed to have little resemblance to what made its way into production.
Danny that was a great Lopez story. I once asked Gerry about using a template that was considered “his”. He quickly and graciously responded, that he didn’t mind at all and added… “how else would everyone have learned”! Mike Doyle has a great, funny story, that is repeated in his book Morning Glass regarding the subject of copying templates. Having accurate histories of where and how things came to be, still allows one to be helpful.
https://swaylocks7stage.s3.us-east-2.amazonaws.com/s3fs-public/1015314_Spiral%20Vee%20?.jpg